Sawtooth Peak rises above waving grass as the seasons change in the Davis Mountains of Far West Texas, where painter Lindy Cook Severns captures Windswept Color.
How do I paint cactus thorns? One blessed thorn at a time. (Ouch! oops...That one got me.) How do strokes of color on canvas become a painting? One dab of color at a time. How do I know exactly what color to use? I don't. Here's a glimpse into the process of using dabs of paint to convey emotion in my oil landscape, Where the Mountains Touch the Sky.
Roadrunners, two-foot long, toothpick-skinny birds traverse the desert southwest on four-toed feet leaving X-marks in the sand to mark their passage, and seeing tracks is said to bring good fortune.
In the Texas borderlands, we tread vast landscapes under immense skies. The farther from towns and highways and power lines you go, the larger the land.
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Description from Merchant:
We want Lindy Cook Severns art to last for generations. All prints, whether open editions or uniquely embellished remarques are done on with archival (acid-free, non-reactive) ink and papers and matted in acid-free matboard. Original art, from the smallest drawings and watercolors to the largest oils and pastel paintings are done on archival surfaces. Lindy uses the highest grade pigments in each medium. Light-fastness of pigments is further protected by covering all but all paintings in artist grade UV protective glazing, whether glass or acrylic. Conservation framing on original art means no reactive materials come in contact with the artwork, so all tape and backing boards are acid free and create a barrier for the artwork.
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