A hot summer day painting on location in this Taos courtyard garden finally drove me into the shade of a giant cottonwood tree, where I dreamed of a tall, cool glass of lemonade. The lemonade never arrived, but the day taught me to weave warm and cool colors through my painting like the hot sunlight filtered through the dense foliage of this remarkable garden. This is the second painting I've done of that garden. The first was a plein air; this one, I created almost ten years later in my studio, painting from photo references. The play of light and shadow on adobe and the relentless summer heat came back to me as I painted, remembering the day that inspired it.
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Description from Merchant:
We want Lindy Cook Severns art to last for generations. All prints, whether open editions or uniquely embellished remarques are done on with archival (acid-free, non-reactive) ink and papers and matted in acid-free matboard. Original art, from the smallest drawings and watercolors to the largest oils and pastel paintings are done on archival surfaces. Lindy uses the highest grade pigments in each medium. Light-fastness of pigments is further protected by covering all but all paintings in artist grade UV protective glazing, whether glass or acrylic. Conservation framing on original art means no reactive materials come in contact with the artwork, so all tape and backing boards are acid free and create a barrier for the artwork.
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